How To Stop Time

HTST

Matt Haig

First Sentence:     I often think of what Hendrich said to me, over a century ago, in his New York apartment.

Back of the book:

‘I am old. That is the first thing to tell you. The thing you are least likely to believe. If you saw me you would probably think I was about forty, but you would be very wrong.’

Tom Hazard has a dangerous secret. He may look like an ordinary 41-year-old, but owing to a rare condition, he’s been alive for centuries. From Elizabethan England to Jazz-Age Paris, from New York to the South Seas, Tom has seen a lot, and now craves an ordinary life.

Always changing his identity to stay alive, Tom has the perfect cover – working as a history teacher at a London comprehensive. Here he can teach the kids about wars and witch hunts as if he’d never witnessed them first-hand. He can try to tame the past that is fast catching up with him. The only thing Tom must not do is fall in love.

How to Stop Time is a wild and bittersweet story about losing and finding yourself, about the certainty of change and about the lifetimes it can take to really learn how to live.

Quotes from the book:

“It wasn’t just the loss of people I had known but also the loss of myself. The loss of who I had been when I had been with them.”

She clicks the top of her pen. Then clicks it again. Each one is a moment. The first click, the pause between the click, and the second click. The longer you live, the harder it becomes. To grab them. Each little moment as it arrives. To be living in something other than the past or the future. To be actually here.

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Feeding The Ghosts

Feeding the ghosts

Fred D’Aguiar

FROM THE ARCHIVES

First Sentence:     The sea is slavery.

Back of the book:

Inspired by a true story, this suspenseful and deeply moving novel chronicles an incident of courage and rebellion that took place aboard a disease-riddled slave ship returning from Africa. It was called Zong, and when disease threatens to infect all aboard, the ship’s captain orders his crew to seize the sick men, women, and children and throw them into the sea. But one female slave, Mintah, survives drowning and secretly climbs back onto the ship. From her hiding place, she attempts to rouse the remaining captives to rebel against the killings, becoming a dangerous force on the ship — a force which is reckoned with in a shocking court case. Powerful and poetic, Feeding the Ghosts is an unforgettable testimony to the struggle against oblivion and a reminder about history overlooked and truth distorted.

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A Natural

a-natural

Ross Raisin

First Sentence:     A few drivers had slowed to look up at the side of the coach as it circled the roundabout.

Back of the book:

Tom has always known exactly the person he is going to be. A successful footballer. A man others look up to. Now, though, the bright future he imagined for himself is threatened.

The Premier League academy of his boyhood has let him go. At nineteen, Tom finds himself playing for a tiny club in a town he has never heard of. But as he navigates his isolation and his desperate need for recognition, a sudden and thrilling encounter offers him the promise of an escape, and Tom is forced to question whether he can reconcile his suppressed desires with his dreams of success.

Leah, the captain’s wife, has almost forgotten the dreams she once held, for her career, her marriage. Moving again, as her husband is transferred from club to club, she is lost, disillusioned with where life has taken her.

A Natural delves into the heart of a professional football club: the pressure, the loneliness, the threat of scandal, the fragility of the body and the struggle, on and off the pitch, with conforming to the person that everybody else expects you to be.

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Reservoir 13

BOOK Reviews 110015

Jon McGregor

First Sentence:     They gathered in the car park before dawn and waited to be told what to do. 

Back of the book:

Midwinter in the early years of this century. A teenage girl on holiday has gone missing in the hills at the heart of England. The villagers are called up to join the search, fanning out across the moors as the police set up roadblocks and a crowd of news reporters descends on their usually quiet home.

Meanwhile, there is work that must still be done: cows milked, fences repaired, stone cut, pints poured, beds made, sermons written, a pantomime rehearsed.

The search for the missing girl goes on, but so does everyday life. As it must.

As the seasons unfold there are those who leave the village and those who are pulled back; those who come together or break apart. There are births and deaths; secrets kept and exposed; livelihoods made and lost; small kindnesses and unanticipated betrayals.

Bats hang in the eaves of the church and herons stand sentry in the river; fieldfares flock in the hawthorn trees and badgers and foxes prowl deep in the woods – mating and fighting, hunting and dying.

An extraordinary novel of cumulative power and grace, Reservoir 13 explores the rhythms of the natural world and the repeated human gift for violence, unfolding over thirteen years as the aftershocks of a stranger’s tragedy refuse to subside.

Quote from the book:

He felt as though he were holding the three of them, holding this room, this house. They made him feel at once immensely capable and immensely not up to the task.

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The Longest Memory

Longest Memory

Fred D’Aguiar

FROM THE ARCHIVES

First Sentence:      The future is just more of the past waiting to happen.

Back of the book: 

Written in taut, poetic language, THE LONGEST MEMORY is set on a Virginian plantation in the 19th century, and tells the tragic story of a rebellious, fiercely intelligent young slave who breaks all the rules: in learning to read and write, in falling in love with a white girl, the daughter of his owner, and, finally, in trying to escape and join her in the free North. For his attempt to flee, he is whipped to death in front of his family, and this brutal event is the pivot around which the story evolves.

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