Blood Meridian

9780330510943

Cormac McCarthy

First Sentence:     See the child.

Back of the book:

Blood Meridian by Cormac McCarthy is an epic novel of the violence and depravity that attended America’s westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, it traces the fortunes of the Kid, a fourteen-year-old Tennessean who stumbles into a nightmarish world where Indians are being murdered and the market for their scalps is thriving.

Quote from the book:

Dust stanched the wet and naked heads of the scalped who with the fringe of hair below their wounds and tonsured to the bone now lay like maimed and naked monks in the bloodslaked dust and everywhere the dying groaned and gibbered and horses lay screaming.

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The Outsider

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Stephen King

First Sentence:     It was an unmarked car, just some nondescript American sedan a few years old, but the blackwall tires and the three men inside gave it away for what it was.

Back of the book:

When an eleven-year-old boy is found murdered in a town park, reliable eyewitnesses undeniably point to the town’s popular Little League coach, Terry Maitland, as the culprit. DNA evidence and fingerprints confirm the crime was committed by this well-loved family man.

Horrified by the brutal killing, Detective Ralph Anderson, whose own son was once coached by Maitland, orders the suspect to be arrested in a public spectacle. But Maitland has an alibi. And further research confirms he was indeed out of town that day.

As Anderson and the District Attorney trace the clues, the investigation expands from Ohio to Texas. And as horrifying answers begin to emerge, so King’s propulsive story of almost unbearable suspense kicks into high gear.

Terry Maitland seems like a nice guy but there is one rock-hard fact, as unassailable as gravity: a man cannot be in two places at the same time. Can he?

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Tin Man

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Sarah Winman

First Sentence:     All Dora Judd ever told anyone about that night three weeks before Christmas 1950 was that she won the painting in a raffle.

Back of the book:

It begins with a painting won in a raffle: fifteen sunflowers, hung on the wall by a woman who believes that men and boys are capable of beautiful things.

And then there are two boys, Ellis and Michael,
who are inseparable.
And the boys become men,
and then Annie walks into their lives,
and it changes nothing and everything.

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From A Low And Quiet Sea

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Donal Ryan

First Sentence:     Let me tell you something about trees.

Back of the book:

Farouk’s country has been torn apart by war.

Lampy’s heart has been laid waste by Chloe.

John’s past torments him as he nears his end.

The refugee. The dreamer. The penitent. From war-torn Syria to small-town Ireland, three men, scarred by all they have loved and lost, are searching for some version of home. Each is drawn towards a powerful reckoning, one that will bring them together in the most unexpected of ways.

Quote from the book:

[…] if you say something enough times, the repetition of it makes it true. Any notion you like, no matter how mad it seems, can be a fact’s chrysalis. Once you say it loud enough and often enough it becomes debatable. Debates change minds. Debate is the larval stage of truth. Constant, unflagging, loud repetition completes your notion’s metamorphosis into fact. The fact takes wing and flutters from place to place and mind to mind and makes a living, permanent thing of itself.

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Census

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Jesse Ball

First Sentence:     As I turned to lean my shovel against the rusted gray of the car, I looked in passing down into the grave I had dug, and saw there, along the face or wall, in trembling roots, the path I had traveled these several months taking the census in the farthest districts.

Back of the book:

A father and son who are census takers journey across a nameless country from the town of A to the town of Z in the wake of the father’s fatal diagnosis. Knowing that his time is menacingly short, the father takes his son, who requires close and constant adult guidance, on this trip of indefinite length. Their feelings for each other are challenged and bolstered as they move in and out of a variety of homes, meeting a variety of different people. Census is about the ways in which people react to the son’s condition, to the son as a person in the world. It is about discrimination and acceptance, kindness and art, education and love.

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